EROSION IN BLOOMA photographic study emerging from a five-year sculptural process in which CMU blocks and gypsum forms were left outdoors to weather, shift, and absorb the surrounding landscape.
Early images include structural grid markers that reference architectural drafting and control, echoing the logic of construction.
Over time, exposure replaces precision: the forms crack, soften, and begin to fail as usable structures. What was designed to hold becomes permeable. The removal of the original markers in later images signals a shift from imposed order toward material autonomy, revealing a central tension—while architecture depends on constant intervention, the landscape often requires restraint. In surrendering the structures to time, the work reframes erosion not as collapse, but as a form of emergence.
