We live in a moment of oscillation—between technological optimism and environmental collapse. The discourse surrounding climate and construction often feels urgent and paralyzing. My work slows that tempo.

As a professional architect, I use my education as a method of inquiry rather than a tool for building. Through drawings, sculptures, installations, and performance, I examine the relationships between body, landscape, and built form. My studio is a site for observing transformation.

What appears solid is in flux. I isolate processes that typically remain concealed within walls and infrastructure: mineral accretion, structural hardening, weathering, erosion, and material accumulation. Concrete cures. Calcium deposits. Surfaces bloom. 

By reframing construction materials as subjects, I expose the tension between permanence and decay embedded within the built environment. My work offers continuity by directing attention to slow transformation–revealing that resiliency is not a resistance to change, but a participant in it.